Open House
Churchill, D.: Open House. Cinema Canada (July–Aug. 1983) no. 98. p. 31.
Next of Kin [Közeli rokon]
‘Kaja’: Next of Kin. Variety 316 (3 Oct., 1984) no. 10. p. 24.
Malloch, B.: Next of Kin. Cinema Canada (Dec. 1984) no. 113. p. 31.
Family Viewing [Családi mozi]
Barker, Adam: Family Viewing. Monthly Film Bulletin 55 (Oct. 1988) no. 657. pp. 299–300.
Caputo, Raffaele: Family viewing. Filmnews 18 (Sept. 1988) no. 8. p. 12.
Collesei, F.: Black comedy. Cinema Nuovo 38 (May–June 1989) no. 3 (319) pp. 48–50.
Fourlanty, Ëric: Family Viewing. Séquences (March 1988) no. 133. p. 47.
Grugeau, Gérard: Le chant des sirčnes. 24 Images (Winter 1987–88) no. 36. pp. 24–25.
‘Rich’: Family Viewing. Variety 328 (23 Sept., 1987) no. 9. p. 30, 37.
Sartor, Freddy: Een hallucinant familiekiekje. Film en Televisie (May–June 1989) Nos. 384–385. p. 15.
Strick, Philip: Family Viewing. Films & Filming 34 (Oct. 1988) no. 409. pp. 34–35.
Taggi, Paolo: Black Comedy. Segnocinema 9 (March 1989) no. 37. p. 32.
Zuilhof, Gertjan: Why Don’t You Watch T.V. with Me. Skrien (April–May 1989) no. 165. p. 25.
Speaking Parts [Szöveges szerepek]
‘Adil’: Speaking Parts. Variety 334 (10 May, 1989) no. 4. p. 24.
Barker, Adam: Speaking Parts. Monthly Film Bulletin 56 (Sept. 1989) no. 668. pp. 283–284.
Curone, Stefano: Mondo virtuale. Segnocinema 13 (July–Aug. 1993) no. 62. p. 53.
del Río, Elena: The Body as Foundation of the Screen: Allegories of Technology in Atom Egoyan’s Speaking Parts. Camera Obscura (May 1996) no. 38. pp. 92–115.
Girard, Martin: Rôles parlants. Séquences (Jan. 1990) no. 144. pp. 52–53.
Grugeau, Gérard: Au-delŕ des images. Les élans du coeur. 24 Images (Nov.–Déc. 1989) no. 46. pp. 4–9.
Putter, Jos de–Dominicus, Mart: Atom Egoyan en de hedendaagse beeldcultuur. ‘Wij zijn slechts gefascineerd’. Skrien(Aug.–Sept. 1990) no. 173. pp. 26–33.
Ramasse, Francois: La vidéo mode d’emploi. Positif (Sept. 1989) no. 343. pp. 13–15.
Taubin, Amy: Up and Atom. Film Comment 25 (Nov.–Dec. 1989) no. 6. pp. 27–29.
Younis, Raymond: Speaking Parts. Filmnews 21 (Apr. 1991) no. 3. pp. 12–13.
The Adjuster [A kárbecslő]
Castiel, Ëlie: L’expert en sinistres. Séquences (Jan. 1992) no. 156. p. 56.
De Bruyn, Olivier–Rouyer, Philippe: Atom Egoyan. Br–lantes solitudes. Jeux de miroirs. Positif (Déc. 1991) no. 370. pp. 20–26.
Engvén, Ingvar: Den gode mannen. Filmrutan 35 (1992) no. 2. pp. 34–36.
Goethals, Piet: Atom Egoyan. Over voyeurisme en ma ni pulatie. Film en Televisie (Dec. 1991) no. 415 p. 21.
Koll, Horst Peter: Der Schätzer. Film-dienst 45 (21 Jan., 1992) no. 2. p. 20.
Koskinen, Maaret: Hemloshetens dramaturgi. Chaplin 34 (1992) no. 2. (239) pp. 63–64.
Kühn, Heike: Der Schätzer. EPD Film 9 (Feb. 1992) no. 2. p. 42.
Liszka Tamás: A kárbecslő neve. Metropolis 2–3 (1998–99) no. 4–no.1. pp. 120–127.
Privet, G.: Le confort et l’indifférence. 24 Images (Nov.–Déc. 1991) no. 58. pp. 58–59.
Rakovsky, Antoine.: It’s got to be the touching. La Revue du Cinéma (Déc. 1991) no. 477. pp. 30–31.
Romney, Jonathan–Case, Brian: Aural Sex: Lust in space. Time Out (27 May, 1992) no. 1136. pp. 18–19.
Romney, Jonathan: The Adjuster. Sight & Sound 2 (June 1992) no. 2. p. 61.
‘Suze’: The Adjuster. Variety 343 (27 May, 1991) no. 7. p. 81.
Taubin, Amy–Romney, Jonathan: Burning down the House. The Adjuster. Sight & Sound 2 (June 1992) no. 2. pp. 18–19, 38.
Walder, M.: ‘Déjŕ vu/jamais vu’ – The Adjuster and the Hunt for the Image. Canadian Journal of Film Studies 2 (1993) Nos. 2–3. pp. 129–144.
Montréal vu par... six variations sur un thčme (Montreal Sextet)
Ayscough, Susan: Montréal vu par... (Montreal sextet). Variety 345 (18 Nov., 1991) no. 6. p. 31.
Demers, P.–Rousseau, Yves: Montréal vu par... Yvan Adam. Images d’une ville plurielle. 24 Images (Winter 1992) no. 59. p. 36., pp. 68–69.
Houle, Michael: Montréal vu par... ou la grande bouffe des courts métrages. Revue de la Cinémathčque (May-June 1991) no. 11. pp. 9–10.
Larue, Johanne: Montréal vu par... Séquences (Jan. 1992) no. 156. pp. 53–54.
Calendar
Anwar, Farrah: Calendar. Sight & Sound 4 (Feb. 1994) no. 2. p. 49.
Elley, Derek: Calendar. Variety 250 (1 March, 1993) no. 5. p. 58.
Grob, Norbert: Aufbruch ins Extreme – Bodrow und Egoyan. EPD Film 10 (Apr. 1993) no. 4. pp. 4–5.
Longfellow, Brenda: Globalization and National Identity in Canadian Film. Canadian Journal of Film Studies 5 (Fall 1996) no. 2. pp. 3–16.
Lux, Stefan: Calendar. Film-dienst 46 (11 May, 1993) no. 10. p. 25.
Marks, Laura U.: A Deleuzian Politics of Hybrid Cinema. Screen 35 (Autumn 1994) no. 3. pp. 244–264.
Remy, Vincent: Calendar. Télérama (22 Mar., 1995) no. 2358. p. 46.
Rollet, Sylvie: Le lien imaginaire. Une poétique cinématographique de l’exil. Positif (Mai 1997) no. 435. pp. 100–106.
Rother, Hans-Jörg: Die nationale Karte. Film und Fernsehen 21 (1993) no. 4. pp. 76–77.
Wolf, Ren: Emoties achter de cameralens. Skrien (Aug.–Sept. 1993) no. 191. p. 14.
Exotica
Banning, K.: Lookin’ in All the Wrong Places: The pleasures and dangers of Exotica. Take One 2 (Fall 94) no. 6. pp. 14–20.
Benjo, Caroline: La traversée des apparences. 24 Images (Sept.–Oct. 1994) Nos. 73–74. pp. 48–49.
Carels, Edwin: De bioscoop als biotoop. Andere Sinema (Jan.–Feb. 1995) no. 125. pp. 5–7.
Dubeau, Alain: Exotica: l’anti-catharsis canadienne. Séquences (Nov.–Déc. 1994) no. 175. p. 33.
Klady, Leonard: Exotica. Variety 355 (16 May, 1994) no. 3. p. 40.
Kömlődi Ferenc: Virtuális szeretők. Filmvilág 40 (1997) no. 9. pp. 33–35.
Lipman, Amanda: Exotica. Sight & Sound 5 (May 1995) no. 5. p. 45
Lux, Stefan: Exotica. Film-dienst 47 (20 Dec., 1994) no. 26. pp. 24–25.
Mahrenholz, Simone: Exotica. EPD Film 12 (Jan. 1995) no. 1. p. 35.
Nacache, Jacqueline–Bassan, Raphačl: Exotica. Atom Egoyan: transfert d’identité. Mensuel du Cinéma (June 94) no. 18. pp. 19–21.
Nummelin, Juri: Exotica. Filmihullu (1996) no. 5 pp. 45–46.
Ostria, Vincent: Trompe-l’oeil. Cahiers du Cinéma (Déc. 1994) no. 486. pp. 58–59.
Prokopov, Alena: Exotica Atoma Egoyana. Film a Doba 41 (Autumn 1995) no. 3. pp. 162–161.
Rayns, Tony: Everybody knows. Sight & Sound 5 (May 1995) no. 5. pp. 9.
Remy, Vincent: Exotica. ‘Tous mes films sont des strip-teases’. Télérama (Nov. 30, 1994) no. 2342. pp. 102–104, 106.
Romano, Hélčne: Exotica. Jeune Cinéma (Jan.–Feb. 1995) no. 230. pp. 44–45.
Romney, Jonathan: Exploitations. Sight & Sound 5 (May 1995) no. 5. pp. 6. [Magyarul Romney: Gyászmunka. (ford. Nagy Eszter) //Filmvilág 39 //(1996) no. 7. pp. 36–37.]
Sennhauser, Michael: Verführung zur Ge meinschaft. Filmbulletin 39 (June 1997) no. 3. (212) pp. 12–15.
Wise, Wyndham: The true meaning of Exotica. Take One 3 (Fall 1995) no. 9. p. 56.
Wisniewski, Cezary: Miedzy kasa a Freudem. Kino 28 (Dec. 1994) no. 330. p. 19.
Younis, Raymond: Exotica. Cinema Papers (Dec. 1995) no. 107. p. 45.
The Sweet Hereafter [Eljövendő szép napok]
Bouquet, Stéphane: Parents soucieux. Cahiers du Cinéma (Oct. 1997) no. 517. p. 77.
Egoyan, Atom–Rayns, Tony: Recovery. The sweet hereafter. Sight & Sound 7 (Oct. 1997) no. 10. pp. 20–23., 60–61.
Elia, Maurice: The sweet hereafter. Visages dans le brouillard. Sarah Polley sur tous les fronts. Séquences (Nov.–Déc. 1997) no. 193. pp. 39–41.
Glassman, Marc: The sweet hereafter. Take One 6 (Winter 1998) no. 18. p. 42.
Jousse, Thierry: De beaux lendemains. Cahiers du Cinéma (June 1997) no. 514. p. 26.
Kelly, Brendan: The sweet hereafter. Variety 367 (May 19, 1997) no. 3. p. 54.
Lamy, Régis: De beaux lendemains. Jeune Cinéma (Nov.–Déc. 1997) no. 246. pp. 40–42.
Marsolais, Gilles: Une vérité née du mensonge. 24 Images (Autumn 1997) Nos. 88–89. pp. 34–35.
Oosterom, Chris: Verborgen geschiedenissen. Skrien (Mar. 1998) no. 221. p. 60.
Pevere, Geoff: Atom Egoyan’s The Sweet Hereafter: Death, Canadian Style. Take One 6 (Fall 1997) no. 17. p. 6.
Plahov, Andrej: Na holmah Armenii. Iszkussztvo Kino (Nov. 1997) no. 11. pp. 11–13.
Interjúk, beszélgetések
Speaking Parts
Pastor, A.–Turco, D.: Conversazione con Atom Egoyan. Filmcritica 40 (June–July 1989) Nos. 396– 397. pp. 388–393.
Racine, Claude: Les affres de l’image. 24 Images (Summer 1989) no. 43. pp. 10–11.
The Adjuster
Garel, Sylvain: Atom Egoyan. Le cinéma comme obsession. Cinéma (June 1991) no. 478. pp. 43–44.
Calendar
Reschop, J.–Roy, André: Entretien avec Atom Egoyan. Une machine célibataire. 24 Images (Summer 1993) no. 67. pp. 62–66.
Rothe, Markus: A propos de Calendar. Rencontre avec Atom Egoyan. Jeune Cinéma (Apr. 1995) no. 231. pp. 21–26.
Exotica
Johnston, Trevor: Atomic energy. Time Out (Apr. 26, 1995) no. 1288. p. 71.
Nordfeldt, Per Axel: Exotica! Chaplin 34 (254) (1994) no. 5. pp. 58–61.
The Sweet Hereafter
Grant, Steve: Holm sweet Holm. Time Out (Sept. 10, 1997) no. 1412. pp. 22–23.
Porton, Richard: Family romance. An Interview with Atom Egoyan. Cineaste 23 (Dec. 1997) no. 2. pp. 8–15. [Magyarul lásd: Családi románcok. Beszélgetés Atom Egoyannal. (ford. Harmati Enikő) //Metropolis //2–3 (1998–1999) no. 4.–no. 1. pp. 134–147.]
Átfogó írások
Balázs Attila: Arsinée Khanjian szemöldöke. Turkáló az Atom Ego-videótékában. Filmvilág 39 (1996) no. 7. pp. 39–41.
Báron György: Atom Egoyan. Magyar Narancs (1994. október 6.) Titanic melléklet p. III.
Báron György: Hideg fej, hideg szív, játékos test. Filmvilág 36 (1993) no. 11. pp. 34–37.
Harcourt, Peter: Imaginary Images. An Examination of Atom Egoyan’s Films. Film Quarterly 48 no. 3. (Spring 1995) pp. 2–14.
Horváth Antal Balázs: A magány mozaikképei. Filmvilág 40 (1997) no. 9. pp. 28–32.
Jones, Kent: Body & Soul. The Cinema of Atom Ego yan. Film Comment 34 (Jan.–Feb. 1998) no. 1. pp. 32–39.
KimergĹrd, Lars Bo: Familie, fremmedgrelse og elektronisk oplosning. Kosmorama 40 (Winter 94) no. 210. pp. 27–32.
Nánay Bence: A káosz rítusai. Az Egoyan-dramaturgia. Filmvilág 39 (1996) no. 7. pp. 35–38.
Shary, Timothy: Video as Accessible Artifact and Artificial Access: The early films of Atom Egoyan. Film Criticism 19(Spring 1995) no. 3. pp. 2–29. [Ma gya rul lásd: A video mint hozzáférhető mű és művi hozzáférés. Atom Egoyan korai filmjei. (ford. Kaosi Ildikó) //Metro polis //2–3 (1998–1999) no. 4.–no. 1. pp. 102–119.]
Rollet, Sylvie: Le cinéma d’Atom Egoyan. ‘A la pointe extrčme de la conscience.’ Positif (Déc. 1994) no. 406. pp. 84–87. [Magyarul lásd: Rollet: Atom Egoyan filmjei. Az öntudat legvégső határán. (ford. Földes Györgyi) //Metropolis //2–3 (1998–1999) no. 4.–no. 1. pp. 128–132.]
Varga Balázs: A képernyő árnyékában. Filmkultúra 31 (1995 február) no. 2 pp. 21–14.
Varga Balázs: Kívül és belül. Atom Egoyan filmjei. Metropolis 2–3 (1998–1999) no. 4.–no. 1. pp. 92–101.
Virilio, Paul: Filmek hátramenetben. Virtuális beszélgetés Atom Egoyannal. (ford. Ádám Péter) Filmvilág 40 (1997) no. 9. pp. 35–37.
Zach, Ondrej: Video, lzi a sex ve filmach Atoma Egoyana. Film a Doba 38 (Winter 1992) no. 4. pp. 201–203.
Folyóiratok tematikus összeállításai
Positif (Déc. 1994) no. 406. pp. 74–94.
Positif (Oct. 1997) no. 440. pp. 11–21.
Metropolis 2–3 (1998–1999) no. 4.–no. 1. pp. 91–154.
Könyvek, forgatókönyvek
Atom Egoyan. (ed. Daniele Rivičre) Paris: Editions Dis Voir, 1993.
Speaking Parts. Toronto: Coach House Press, 1993.
Exotica. Toronto: Coach House Press, 1995.
Web-oldal
The Egoyan Nucleus. Web Guide to Atom Egoyan. http:www2.cruzio.com/~akreyche/atom.html#sitelinks
