Könyvek
Druxman, Michael B.: Make It Again, Sam: A Survey of Movie Remakes. South Brunswick, NJ: A. S. Barnes, 1975.
Durham, Carolyn A.: Double Takes: Culture and Gender in French Films and Their American Remakes. Hanover: University Press of New England, 1998.
Herbert, Daniel: Film Remakes and Franchises. New Brunswick: Rutgers University Press, 2017.
Herbert, Daniel: Transnational Film Remakes: Time, Space, Identity. PhD diss., University of Southern California, 2008.
Jess-Cooke, Carolyn: Film Sequels. Edinburgh: Edinburgh University Press, 2009. https:doi.org/10.1515/ 9780748631339
Kawin, Bruce F.: Telling It Again and Again: Repetition in Literature and Film. Ithaca: Cornell University Press, 1972.
Knöppler, Christian: The Monster Always Returns: American Horror Films and Their Remakes. Bielefeld: Verlag, 2017. https:doi.org/10.1515/9783839437353
Leitch, Thomas: Film Adaptation and Its Discontents: From Gone with the Wind to The Passion of the Christ. Baltimore: Johns Hopkins University Press, 2007.
Limbacher, James L.: Haven’t I Seen You Somewhere Before? Remakes, Sequels, and Series in Motion Pictures and Television, 1896–1978. New York: Pierian, 1991.
Loock, Kathleen: Hollywood Remaking: How Film Remakes, Sequels, and Franchises Shape Industry and Culture. Oakland: University of California Press, 2024. https:doi.org/10.1525/9780520976221
Mazdon, Lucy: Encore Hollywood: Remaking French Cinema. London: British Film Institute, 2000.
Mee, Laura: Reanimated: The Contemporary American Horror Remake. Edinburgh: Edinburgh University Press, 2022. https:doi.org/10.1515/9781474440660
Nowlan, Robert – Nowlan, Gwendolyn Wright: Cinema Sequels and Remakes, 1903–1987. Jefferson, NC: McFarland, 1989.
Rosewarne, Lauren: Why We Remake. The Politics, Eco- nomics and Emotions of Film and TV Remakes. London – New York: Routledge, 2020. https:doi.org/10.4324/9780367816834
Smith, Iain Robert: The Hollywood Meme: Transnational Adaptations in World Cinema. Edinburgh: Uni- versity of Edinburgh Press, 2016. https:doi.org/10.1515/9780748677474
Varndell, Daniel: Hollywood Remakes, Deleuze and the Grandfather Paradox. New York: Palgrave Macmillan, 2014. https:doi.org/10.1057/9781137408600
Verevis, Constantine: Film Remakes. Edinburgh: Edinburgh University Press, 2006. https:doi.org/10.1515/9780748626250
Wang, Yiman: Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood. Honolulu: University of Hawai’i Press, 2013. https:doi.org/10.21313/hawaii/9780824836078.001.0001
Wee, Valerie: Japanese Horror Films and Their American Remakes: Translating Fear, Adapting Culture. New York: Routledge, 2014. https:doi.org/10.4324/ 9780203382448
Zanger, Anat: Film Remakes as Ritual and Disguise. Amsterdam: Amsterdam University Press, 2006. https:doi.org/10.5117/9789053567852
Tanulmánykötetek
Cuelenaere, Eduard – Willems, Gertjan – Joye, Stijn (eds.): European Film Remakes. Edinburgh: Edinburgh University Press, 2021. https:doi.org/10.1515/9781474460668
Forrest, Jennifer – Koos, Leonard R. (eds.): Dead Ringers: The Remake in Theory and Practice. Albany: State University of New York Press, 2001. https:dx.doi.org/10.1353/book9031
Forrest, Jennifer (ed.): The Legend Returns and Dies Harder Another Day: Essays on Film Series. Jefferson, NC: McFarland, 2008.
Geraghty, Lincoln (ed.): Directory of World Cinema: American Hollywood 2. Bristol: Intellect Books, 2015. https:doi.org/10.2307/j.ctv36xw50s
Heinze, Rüdiger – Krämer, Lucia (eds.): Remakes and Remaking: Concepts – Media – Practices. Bielefeld: Transcript Verlag, 2015.https:doi.org/10.1515/transcript.9783839428948
Herbert, Daniel – Verevis, Constantine (eds.): Film Reboots. Edinburgh: Edinburgh University Press, 2020. https:doi.org/10.3366/edinburgh/ 9781474451369.001.0001
Horton, Andrew – McDougal, Stuart Y. (eds.): Play It Again, Sam. Retakes on Remakes. Berkeley: Uni- versity of California Press, 1998. https:doi.org/10.1525/9780520310216
Jess-Cooke, Carolyn – Verevis, Constantine (eds.): Second Takes: Critical Approaches to the Film Sequel. Albany: State University of New York Press, 2010.
Klein, Amanda Ann – Palmer, R. Barton (eds.): Cycles, Sequels, Spin-offs, Remakes, and Reboots: Multiplicities in Film and Television. Austin: University of Texas Press, 2016. https:doi.org/10.7560/309001
Lavigne, Carlen – Marcovitch, Heather (eds.): American Remakes of British Television: Transformations and Mistranslations. Plymouth: Lexington Books, 2011. https:doi.org/10.5771/9780739146743
Lavigne, Carlen (ed.): Remake Television: Reboot, Re-use, Recycle. Lanham, MA: Lexington Books, 2014.
Loock, Kathleen – Verevis, Constantine (eds.): Film Remakes, Adaptations and Fan Productions: Remake/Remodel. Basingstoke: Palgrave Macmillan, 2012. https:doi.org/10.1057/9781137263353
Lukas, Scott A. – Marmysz, John (eds.): Fear, Cultural Anxiety, and Transformation: Horror, Science Fiction, and Fantasy Films Remade. Lanham, MD: Lexington Books, 2009. https:doi.org/10.5771/ 9781461633433
Perkins, Claire – Verevis, Constantine (eds.): Film Trilogies: New Critical Approaches. New York: Palgrave Macmillan, 2012. https:doi.org/ 10.1057/9780230371972
Perkins, Claire – Verevis, Constantine (eds.): Transnational Television Remakes. Continuum, 29(5). 2015. https:doi.org/10.1080/10304312.2015.1068729
Serceau, Michel – Protopopoff, Daniel (eds.): Le remake et l’adaption, special issue of CinemAction 53. Paris: Telerama, 1989.
Smith, Iain Robert – Verevis, Constantine (eds.): Transnational Film Remakes. Edinburgh: Edinburgh University Press, 2017. https:doi.org/10.3366/edinburgh/9781474407236.003.0001
Cikkek, tanulmányok
Behlil, Melis: „Once More with the Volume Up”: Auto-remakes. In: Hollywood Is Everywhere. Global Directors in the Blockbuster Era. Amsterdam: Amsterdam University Press, 2016. pp. 97–110. https:doi.org/10.1017/9789048524976.006
Bohnenkamp, Björn – Knapp, Ann-Kristin – Hennig-Thurau, Thorsten – Schauerte, Ricarda: When does it make sense to do it again? An empirical investigation of contingency factors of movie remakes. Journal of Cultural Economics 39 (February 2015) no. 1. pp. 15–41. https:doi.org/10.1007/s10824-014-9221-6
Brooker, Will: Batman: One life, many faces. In: Cartmell, Deborah – Whelehan, Imelda (eds.): Adaptations. From text to screen, screen to text. London – New York: Routledge, 1999. pp. 185–199.
Cuelenaere, Eduard – Willems, Gertjan: Remaking identities and stereotypes: How film remakes transform and reinforce nationality, disability, and gender. European Journal of Cultural Studies 22 (2019) nos. 5–6. pp. 2–17. https:doi.org/10.1177/1367549418821850
Cuelenaere, Eduard: Towards an integrative metho-dological approach of film remake studies, Adaptation 13 (2020) no. 2. pp. 210–223. https:doi.org/10.1093/adaptation/apz033
Dönmez, Elif Kahraman: Let’s make it American: American remakes of the British films. CINEJ Cinema Journal 7 (2018) no. 1. pp. 239–261. https:doi.org/10.5195/cinej.2018.221
Ďurovičová, Nataša: Translating America: The Hollywood Multilinguals 1929-1933. In: Altman, Rick (ed.): Sound Theory Sound Practice. New York: Routledge, 1992. pp. 138–154.
Elsaesser, Thomas: The Blockbuster: Everything Connects, but Not Everything Goes. In: Lewis, Jon (ed.): The End of Cinema as We Know It. American Film in the Nineties. New York: New York University Press, 2001. pp. 11–22.
Evans, Jonathan: Film remakes, the black sheep of translation. Translation Studies 7 (2014) no. 3. pp. 300–314. https:doi.org/10.1080/14781700.2013.877208
Hołobut, Agata – Rybicki, Jan – Stelmach, Miłosz: A statistical approach to Hollywood remake and sequel metadata. Digital Scholarship in the Humanities 39 (June 2024) no. 2. pp. 556–574. https:doi.org/10.1093/llc/fqae012
Hołobut, Agata – Rybicki, Jan – Stelmach, Miłosz: Quantifying the remake: A historical survey. Journal of Adaptation in Film & Performance 15 (2022) no. 3. pp. 211–226. https:doi.org/10.1386/jafp_00079_1
Joye, Stijn: Novelty through Repetition: Exploring the Success of Artistic Imitation in the Contemporary Film Industry, 1983–2007. In: Smith, Iain Robert (ed.): Cultural Borrowings: Appropriation, Reworking, Transformation. Scope: An Online Journal of Film and Television Studies, 2009. pp. 194–211.
Kelleter, Frank – Loock, Kathleen: Hollywood Remaking as Second-Order Serialization. In: Kelleter, Frank (ed.): Media of Serial Narrative. Columbus: Ohio State UP, 2017. pp. 125–147. https:doi.org/10.2307/j.ctv10crd8x.11
Kirkham, Pat – Warren, Sarah: Four Little Women: Three films and a novel. In: Cartmell, Deborah – Whelehan, Imelda (eds.): Adaptations. From text to screen, screen to text. London – New York: Routledge, 1999. pp. 81–98.
Klinger, Barbara: Once Is Not Enough: The Functions and Pleasures of Repeat Viewings. In: Beyond the Multiplex: Cinema, New Technologies, and the Home. Berkeley – Los Angeles – London: University of California Press, 2006. pp. 135–191. https:doi.org/10.2307/j.ctv11hps07.9
Labayen, Miguel Fernández – Morán, Ana Martín: Manufacturing proximity through film remakes: Remake rights representatives and the case of local-language comedy remakes. Communications 44 (2019) no. 3. pp. 2–22. https:doi.org/10.1515/commun-2019-2058
Lecomte, Guillaume: Same Player, Shoot Again: Géla Babluani’s 13 (Tzameti), Transnational Auto- Remakes, and Collaboration. In: Cronin, Bernadette – MagShamhráin, Rachel – Preuschoff, Nikolai (eds.): Adaptation considered as a collaborative art. Process and Practice. London: Palgrave Macmillan, 2020. pp. 217–239. https:doi.org/10.1007/978-3-030-25161-1_11
Leitch, Thomas M.: Twice-Told Tales: The Rhetoric of the Remake. Literature/Film Quarterly 18 (1990) no. 3. pp. 138–149.
Lim, Bliss Cua: Generic ghosts: remaking the new „Asian horror film” In: Marchetti, Gina – Kam, Tan See (eds.): Hong Kong Film, Hollywood and the New Global Cinema. New York: Routledge, 2007. pp. 109–126.
Lütticken, Sven: Planet of the Remakes. New Left Review 25. (2004. január – február) https:newleftreview.org/issues/ii25/articles/sven-lutticken-planet-of-the-remakes (utolsó letöltés dátuma: 2024. 09. 28.)
Mancini, Marc: French Film Remakes. Contemporary French Civilization 13 (1989) no. 1. pp. 32–46. https:doi.org/10.3828/cfc.1989.13.1.003
Pestieau, Pierre – Ginsburgh, Victor – Weyers, Sheila: Are Remakes Doing as Well as Originals? A Note. http:www.crepp.ulg.ac.be/papers/crepp-wp 200705.pdf (utolsó letöltés dátuma: 2024. 09. 20.)
Proctor, William: Regeneration & Rebirth: An Anatomy of the Franchise Reboot. Scope: An Online Journal of Film and Television Studies (February 2012) no. 22. pp. 1–19. www.nottingham.ac.uk/scope/documents/2012/february-2012/proctor.pdf (utolsó letöltés dátuma: 2024. 09. 20.)
Quaresima, Leonardo: Loving Texts Two at a Time: The Film Remake. Cinémas 12 (Spring 2002) no. 3. pp. 73–84. https:doi.org/10.7202/000736ar
Salt, Barry: The exact remake: A statistical style analysis of six Hollywood films. New Review of Film and Television Studies 14 (2016) no. 4. pp. 1–20. https:doi.org/10.1080/17400309.2016.1198635
Schneider, Steven Jay: Repackaging Rage: The Vanishing and Nightwatch. Kinema: A Journal for Film and Audiovisual Media 17 (Spring 2002) pp. 47–66. https:doi.org/10.15353/kinema.vi.996
Smith, Iain Robert: „Beam Me up, Ömer”: Transnational Media Flow and the Cultural Politics of the Turkish Star Trek Remake. Velvet Light Trap 61 (2008) no. 1. pp. 3–13. https:doi.org/10.1353/vlt.2008.0004
Sonnet, Esther: From Emma to Clueless: Taste, pleasure and the scene of history. In: Cartmell, Deborah – Whelehan, Imelda (eds.): Adaptations. From text to screen, screen to text. London – New York: Routledge, 1999. pp. 51–63.
Uricchio, William: Nation, Taste and Identity: Hollywood remakes of European originals. Groniek Historisch Tijdschrift 146 (1999) pp. 51–61.
Verevis, Constantine: Re-Viewing Remakes. Film Criticism 21 (Spring 1997) no. 3. pp. 1–19.
Vincendeau, Ginette. Hollywood Babel: The Multiple Language Version. Screen 29 (1988) no. 2. pp. 24–39. https:doi.org/10.1093/screen/29.2.24
Westerståhl Stenport, Anna – Traylor, Garrett: The eradication of memory: Film adaptations and algorithms of the digital. Cinema Journal 55 (2015) no. 1. pp. 74–94. https:doi.org/10.1353/cj. 2015.0058
Wright, Neelam Sidhar: „Tom Cruise? Tarantino? E.T.? ...Indian!”: Innovation through imitation in the Cross-cultural Bollywood Re-make. In: Smith, Iain Robert (ed.): Cultural Borrowings: Appropriation, Reworking, Transformation. Scope: An Online Journal of Film and Television Studies, 2009. pp. 56–76.
Tanulmányok magyar nyelven
Fábics Natália: Kortárs japán horrorfilmek amerikai remake-jei. Metropolis (2013) no. 1. Japán kapcsolatok pp. 46–63.
Földváry Kinga: Remake vagy adaptáció – nem mindegy? Filmszem III. (3013. ősz) no. 3. Az újrahasznosítás esetei: REmake/Hommage. pp. 26–34.
Loock, Katherine: A hollywoodi újrafeldolgozások. Bevezetés. Metropolis (2025) no. 1. pp. 8—24 https:doi.org/10.70807/metr.2025.1.1
Lubianker Dávid: Remake-esztétika: Francia rendezők kortárs amerikai önremake-jei. Apertúra (2022. tél) https:www.apertura.hu/2022/tel/lubianker-remake-esztetika-francia-rendezok-kortars-amerikai-onremake-jei/ (utolsó letöltés dátuma: 2025. 05. 28.)https:doi.org/10.31176/apertura.2022.17.2.4
Lubianker Dávid: Színezett klasszikusok. A kortárs magyar romantikus komédiaremake-ek nőképe és változásaik. Metropolis (2021) no. 1. pp. 8–28.
Lubianker Dávid: Az ismétlés formái Hitchcock és Haneke transznacionális önremake-jeiben. Metropolis (2025) no. 1. pp. 26—41 https:doi.org/10.70807/metr.2025.1.2.
Mátrai Titanilla: Két úr szolgái. Magányos hős Kuroszava Akira A testőrjében és Sergio Leone Egy maréknyi dollárért című filmjében. Filmszem III. (3013. ősz) no. 3. Az újrahasznosítás esetei: REmake/Hommage. pp. 6–25.
Szerető Benedek: Ismétlés, slashermotívumok és műfajiság három női horrorremake-ben az ezredforduló után. Metropolis (2025) no. 1. pp. 42—53 https:doi.org/10.70807/metr.2025.1.3.
Varga Balázs: A múlt újrajátszása, a jelen újraírása. Klasszikus vígjátékok új szereposztásban az ezred- fordulós magyar remake-ekben. Metropolis (2025) no. 1. pp. 54—68 https:doi.org/10.70807/metr.2025.1.4.
Varga Zoltán: A félelem formái. A klasszikus és a kortárs thriller összevetése A félelem órái két verziója alapján. Apertúra (2005. ősz)https:www.apertura.hu/2005/osz/varga-a-felelem-formai-a-klasszikus-es-a-kortars-thriller-osszevetese-a-felelem-orai-ket-verzioja-alapjan/ (utolsó letöltés dátuma: 2025. 05. 28.)
Varró Attila: A remake-ről – avagy játszd újra, Sam! Az önző remake. Filmtett. https:filmtett.ro/cikk/ az-onzo-remake (utolsó letöltés dátuma: 2025. 05. 28.)
Varró Attila: Magyar ugaron. A magyar interkulturális remake műfaji adaptációja. Metropolis (2010) no. 1. pp. 80–95.
Összeállította: Lubianker Dávid
